incl dave lee remix, tip!

incl dave lee mixes

brioche announces himself on the young toulouse-based arts collective shawarma records. this tape is a collection of 303 pummelled jams, shredded fresh from the spike and already turning a little fuzzy. hard hitting, machine-driven kick drums, breathy hats and fired up and squelchy stomach acid combine to create a monstrous, floor destroying club weapon.

baltimores tv hill records transmit their first release made from the duo with the same name. og ag (andrew grant) of original circoloco fame and dimneonsum combine forces on a 4 track venture. the result is deep unapologetic house & techno. classic gear !

moscow based multi-talent impish presents the ÒhushÓ lp, his latest album project that has been released strictly on vinyl and is now available on cd as well.
working through labels such as hospital records, c.i.a., program and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work.
from effortlessly rolling tracks such as ÒcanÕt feelÓ and ÒshadowsÓ towards more introspective vibes on Òchanging coloursÓ and the lpÕs title track a common thread runs clearly throughout the album: the aim for perfection, true craftmanship and a drive to combine to high-quality beats and breaks with musical elements. uk based female singer kate wild, julia marks and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.

australian duo yirinda combine ancient aboriginal language with sublime modern production.

4 great minimal tracks. a couple of cumpas are brought together by showing their character within the music. etro hahn & liro have been producers for years delivering different nuances and rhythms within the world of electronic music. between 2010 and 2011 they released their first ep together which, was titled: “nortesur ep- for an irish label “elevation recordings” together with chris lattner + rampa & re.you. since, they have delivered multiple eps (vinyl and digital) and have been able to interpret the evolution of electronic music with dynamic projects, managing to combine the necessary sound they seek. we present a story that began with the discovery of ethical and electronic sounds, managing to guide these works to the memory of a town that changed in southern chile. zbroyi is proud to bring forth a journey from these chilenos.

part 2 of this amazing double ep. when acid madness meets perfectionism and unbelievable depth then we all know boston 168 cant be far away. they are an integral part of the odd even label and long-time friends of andre kronert and now finally back with a fabulous release. as in the good old days, they know how to combine harmony and punch. get ready for it! no more word! just listen!

electro/techno 2lp

part 2 of this amazing double ep. when acid madness meets perfectionism and unbelievable depth then we all know boston 168 cant be far away. they are an integral part of the odd even label and long-time friends of andre kronert and now finally back with a fabulous release. as in the good old days, they know how to combine harmony and punch. get ready for it! no more word! just listen!

the labels founding members sam bangura and harry mccanna combine bubbling melodies with refined grooves.

2x12 inch coloured vinyl

black vinyl version. when acid madness meets perfectionism and unbelievable depth then we all know boston 168 cant be far away. they are an integral part of the odd even label and long-time friends of andre kronert and now finally back with a fabulous release. as in the good old days, they know how to combine harmony and punch. get ready for it! no more word! just listen!

deadbeat and om unit combine forces to explore their shared love of dubbed-out electronics.

multicast dynamics returns to astral industries for ai-26, this time collaborating with sid hille, the german born, finland based instrumentalist and composer. ‘metamorphosis’ transmutes both artists’ unique styles into a synergistic blend of transportive storytelling, a delicate dance of light and dark.divided into two parts, ’metamorphosis’ originates from a live performance recorded at temppeliaukio church in helsinki on march 2nd, 2019. the material was then edited, where hille’s soothing keyboard work and haunting passages on the theremin, combine with processed textures and desolate sonic backdrops from dijk. in this voyage beyond space and time, the subtle dialogue reveals new and perhaps unexpected dimensions in their creative arsenal, finding fresh new boundaries and enriching the palette of both performers. encounters of sweet fleeting moments of lyricism emerge amidst the chilling outback, in which we re given some final consolation between the long lines of cavernous rifts and deep space tundra.

echt! combine electro, hip-hop, trap, funk and futuristic jazz, resulting in a distinct and unique sound.

raphael wressnig and igor prado combine blues, soul and funk to create an irresistible sound.

solid 5 tracker where soundscapes combine with ambient sound.

when acid madness meets perfectionism and unbelievable depth then we all know boston 168 cant be far away. they are an integral part of the odd even label and long-time friends of andre kronert and now finally back with a fabulous release. as in the good old days, they know how to combine harmony and punch. get ready for it! no more word! just listen!

new lp bychristoph de babalon

fern and ian has decided to combine their vision of music during a week end in slovenia. expect more italo-slovenian combo in the future.

burak Özdemir and musica sequenza combine the worlds of classical music and underground electronics.

armec returns to nebulae and chooses the spirograph nebula as the inspiration to deliver 5 gorgeous cosmic landscapes, where mellow textures combine with ghostly atmospheres, sparkling drum sequences and crunchy acid basslines.

small great things is a new label from luca olivotto of endless music and its first release sees the berlin-based artist deliver an ep of modern takes on classic deep house sounds. the small great things ep kicks off with an eponymous cut with steadily unfurling pads leading to a breakdown of light, uplifting melodies while rooted to the floor with a jacking rhythm track and bottom end. sometime ibadan and b-pitch producer dos serves up a remix of -small great things- under his given name, francesco mami, where the italian producer turns in a warm but propellant version with loose, rattling rhythms and saturated stabs creating a nifty, rounded piece. on the b-side olivotto opens with -swipe out-, a gloriously detailed track that balances slick synths and gritty bass perfectly, allowing a beautiful vocal to shine through. we are treated to a stirring song on closing track -dont blame me-, where soaring detroit influenced synth pads and staccato melodies combine to create the perfect foil to the vocals. named to celebrate the little things in life, small great things is a label to firmly keep an eye on.

47 regular, killawatt and recent r&s addition, 6siss combine to form motive power – a project exploring the powerful depths of techno.

deal !! 2 new producers last mood and d-rebeiro combine for one massive release. a is for the big rooms, one for the techno heads. b has massive chords, adance floor friendly killer with that peak time feel.

more secret edit weapons from the vaults of djs like manfredas, iñigo vontier, simple symmetry, dreems and thomas von party, aka the multi culti family. new wave latino body music, peak power extended space disco and wiggly electro funk combine for definitive dance floor approval and chin-stroking trainspottery

rudimentary debuts for itoa and crypticz as they combine to producer a solid 4 track dub, techno, footwork, ghetto inspired drum n bass 12”.

featuring two flaming remixes by our heroes alicia hush & signal deluxe. canicule musiques first release comes just in time to celebrate the arrival of summer. flandez & esteban de haro combine talent to deliver their newest project anselmo &benjamin - canicule 1 ep.

after numerous features and collaborations obenewa, kaidi tatham and dego combine together to form blacks & blues.three song based dance tracks to fill the void of underground vocal club music. spin is flavoured with s.a house & afrobeatz whilst obenewa sings about the wonder that is love. you know the feeling moves towards the funk that is synonymous with 2000black and dont know why (chant for love) is purely the marriage between reggae and jazz.

golden-era, 1977, brazilian jazz-funk-fusion album from the legendary, azymuth. lush rhodes, soaring synths and fusion guitars from malheiros and bertrami combine with the inimitable drum grooves from ivan mamao conti that create the signature azymuth sound. the album moves from mellow soulful moods, into screaming disco-jazzfusion, samba funk, synth boogie and ends with a tough 160bpm batucada workout.

the not-particularly mysterious bristol / manchester duo yung bingles & lil chimpz combine again on two strictly limited vinyl only grime / jungle anthems, both tested around the world in the most demanding raves on road. on the mango side, a joy orbison classic gets mashed up with the classic devil mix of east connection s early grime anthem we re ready in a junglist style and fashion, while on the sceptre side, i don t know why man s calling me family is the question being asked rhetorically at 170bpm. support from everyone basically

the latest release on arma comes from dutch legend and devoutly deviant underground operator ruud lekx, aka rude 66. with a legacy that reaches back to the early 90s and the rough and ready dutch electro sound of bunker records and the hague, hes maintained a distinctly non-conformist approach that touches on acid, italo, techno and more besides, all finished with the punky attitude that sets him and peers like unit moebius and i-f apart. the tracks gathered together on the witch trials ep come from throughout lekxs career. as the artist himself says, tracks from wildly different eras and sessions suddenly can combine to form one coherent ep. its almost like the a-side tracks were waiting for 20 years to be combined with the b-side tracks. the overriding theme that binds together these timeless machine excursions is that of medieval witch trials a global phenomenon that peaked in the 15-1600s. considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, lekx points to the parallels with the current age, of political polarization and fake news accusations flying all over. the ep title is also a tribute to two records close to his heart: the falls live at the witch trials, and the one-off witch trials project by members of the dead kennedys, adrian borland and christian lunch. werewolves & poisoners and the crusade against idolatry are both archive tracks from the 1994-5 period when lekx made his first albums for bunker records.

thirty years ago, british youth culture was changed forever. the summer of love in 1988 saw house music spread like wildfire over the country, with thousands of young people dancing in fields, clubs and any spaces they could find.
one of the tracks that truly encapsulated this magical time was stirling void’s “it’s alright”. originally released on chicago’s seminal label dj international, the spine-chilling lyrics of positivity resonated in the hearts and minds of the acid house generation and are more relevant in today’s climate than ever. to celebrate 30 years since the summer of love, toolroom is proud to present a monumental remix package of this all-time classic, alongside the fully re-mastered original.
first up on remix duties is one of house music’s most intriguing artists. adesse versions has a back catalogue of highly sought-after records, and he’s treated this remix with utmost respect, keeping the track’s essence and identity, but adding a new layer of raw warmth and subliminal melody. next up, house legend dj spen has stepped up to the plate with his own interpretation. his jazzy, soulful keys have added a layer of polish and musicality to the track, which combine beautifully with paris brightledge’s iconic vocals.

bad technology. missed calls. broken languages. international timezones. fourth world fantasies. late night conversations these are just some of the elements that combine to make elixir of immortality one of the most compelling records you will hear all year

heavy flowing dubmonster by the mighty merv. amazing release! after releases on 3rd wave black, taped artifact and ranges the danish duo merv delivers the next result of one of their studio sessions. the three tracks on the >performer ep< combine all the classic elements of detroit, dub, housy drums and techno feeling and mark the fourth mouche release. an absolutely must-have ep for the dark dancing floors and a very bold and versatile attempt by the masters.

that warm and dreamy italian sound is experiencing a huge revival for a while now. some of the best new cuts in this genre come from the cosmic rhythm camp. producers nicolas and michele combine forces to deliver you this awesome new rydm sectors ep called summertime. 4 deep house bombs with pumping club vibe!

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

ceremony in the stillness is the new album from a-sun amissa - released september 14th via gizeh records and consouling sounds. for its fourth full-length, a-sun amissa plunges deeper than before. guitars come to the fore. heavy, distorted chords are present from the off, complemented by desolate ambient passages of sound. the claustrophobic atmospheres remain but combine with a new density and sonic experimentation to present a huge leap forward in structure and composition

mang dynasty are the collective force of bill brewster and ray mang. both should need no introduction! together they combine to form the mighty mang dynasty, and deliver crash the box a riot of afrobeat, house and disco stylings, laced expertly with horn stabs and vocal chops, guaranteed to light up any club or festival stage. on the remixes are two exciting up and coming producers currently making waves: lord leopard offers a chunky, abstract bumping house version that s good for the floor. tee mango takes a loopy disco excursion, with squelchy synth stabs and party starting vocal.

it doesn t get much bigger than this: adam beyer links up with green velvet and drumcode s outstanding rising star layton giordani for a debut collaboration. some musical partnerships feel fated. both fans of one another s work, for years adam beyer and green velvet had discussed writing music together. in turn, beyer s protégé layton giordani had admired the chicagoan s work for as long as he could remember. when the 25-year-old found himself playing alongside the green mohawked legend at belfast s shine, the spark and subsequent friendship was immediate. with the links now set in place, it was only a matter of time before the trio s creative chemistry would manifest musically. ‘space date was conceived organically and birthed quickly. propelled by green velvet s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that s highlighted sets by beyer at awakenings, ushuaia and also edc vegas when green velvet dropped it to a raucous response. the track is complimented by rome future , the product of a year-long series of productions between beyer and giordani. deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who ve followed their sets over recent months.

this summer, my favorite robot records release another of their excellent and immersive full lengths, this time from german production outfit, rework. the trio of daniel varga, michael kuebler and sascha hedgehog aka rework, describe their musical aesthetic as cabaret-independent-house and combine icy minimal structures with catchy euro-girl vocals, anglo-french funk antics and a dash of dance floor melancholy. playhouse, meant and items & things have all released their work, which includes three albums before now. this latest is another musical adventure filled with surprises. this is an effortlessly diverse album that brings a wide range of influences to the table and ties them all together with reworks unique sense of style and cool

vinyl only, strictly limited, no repress.
gatefold cover, design by bus.group, artwork by reiche.
this year s nachtdigital record follows the path we started to explore in 2017: to combine artists who are close to us, each given the specific task to tell a story in up to 24 minutes (which is pretty much the maximum you can press on one side of a vinyl record) - with complete artistic freedom.

the caribbean house is a new billy bogus project. it’s the perfect meld of creepy atmospheres, sunset grooves, analog sensibilities and incessant rhythms. bogus leads this collective formed by federico bologna (ohmega tribe, technogod) and cristiano santini (disciplinatha, dish-is-nein,). this triumvirate of 90 s underground italian masterminds come from the world of electronica, noise rock and psychedelia. here they all combine to rise again rise and unite to create something entirely new.

july sees radio slave’s rekids invite britain’s renowned swayzak to the roster with a cold war themed release entitled ‘odessa calling’ ep. a name associated with quality, swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. their impressive back catalogue includes six studio albums and appearances on labels like k7, m_nus, curle, ellum and swayzak’s own label 240 volts, which was relaunched in 2017. originally a duo comprised of david brown and james taylor, brown has been helming the project solo since 2012. he now joins respected berlin-based imprint rekids with two inspired productions. ‘odessa calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. on the flipside, ‘numbers station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

vive la musique brings you an official reissue and rework of the unique and highly sought after zouk track tabala mouv . the song is is the standout composition from the ultra-rare tabala series, released on vinyl in the mid 80s. after many months of searching, label head aroop roy managed to track down songwriter and producer, maurice agad, to the caribbean island of martinique. the 12inch includes the original track and two brand new versions, making a special package that many are touting as one of the soundtracks of the summer. in the original, detroit-esque keys and a balearic beat captivate you from the opening bars and uplifting vocals and a euphoric horn section combine to transport you to an idyllic paradise. aroop roy steps up the tempo and flips the groove for a trademark rework that will have universal appeal to house, disco and tropical music fans. the release is made complete with a subtle extended edit from truccy. the package is presented with beautiful full cover artwork, limited to the first pressing, which is likely to go very quickly.

after the release on french label basse resolution and after a couple of years since his last ep on bosconi, having released with the -under the line- track one of the highlights of our latest 10 years compilation and as bss together with his mates fabio della torre and mass prod, rufus is back on bosconi with a new four tracker record which goes on a new direction compared to the past music he did. -ritual chants- was mainly recorded in the abandoned industrial area of milan called bovisa and probably for this reason the release sounds all around a bit sci fi, cinematic and especially gothic. all begins with the raw techno jam of -fast rituals- where structured mellow and dreamy synth lines combine with the dusty, aggressive and driving rhythmical transportation of its drum section. fast rituals is one of those electronic pieces which tells you a story from the beginning till the end, so please pay attention to it. -sapere sparare- looks calmer but actually has the more mental and psychotic feeling of the whole record, driven by an intoxicating and fat bass line, rough jazzy beats and a lot of twisted out fm synths goodness whose times are punctuated twice by the warning female vocal theme of the track. -last shot #5- instead is a jacked out, hypnotic and darker broken house track dense of pumping low ends and subtle but glorious synth riffs properly made for the late hours and totally in the vein of a baby ford - minimal man production.-tenebre- closes up the ep with its horror movie atmosphere, drilling drones here and there, big bouncy bass lines, reverberated snares, drama strings and a dominant sinister melody which slightly reminds of some old dbx track.